I Like To Score
I Like To Score is a cinematic compilation from Moby, originally released in 1997, collecting tracks he recorded for film soundtracks and screen projects. A compelling showcase of his atmospheric production style, the album bridges electronic experimentation with dramatic, widescreen emotion.
Featuring his electrifying rework of the James Bond Theme (from Tomorrow Never Dies), a haunting cover of New Order’s “New Dawn Fades” (featured in 24 Hour Party People), and the stirring instrumental “God Moving Over the Face of the Waters” (from Heat), I Like To Score highlights Moby’s ability to craft music that resonates as powerfully on screen as it does on record.
Blending ambient textures, breakbeat energy and cinematic orchestration, the album captures a pivotal era in Moby’s career — a period where his sound was expanding beyond club culture into film, television and mainstream consciousness.
This Reissue is pressed on Pink Vinyl LP, offering a striking collector’s edition of a unique entry in Moby’s catalogue. Atmospheric, emotive and screen-ready, I Like To Score remains a standout fusion of electronic music and cinematic storytelling.
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I Like To Score
I Like To Score is a cinematic compilation from Moby, originally released in 1997, collecting tracks he recorded for film soundtracks and screen projects. A compelling showcase of his atmospheric production style, the album bridges electronic experimentation with dramatic, widescreen emotion.
Featuring his electrifying rework of the James Bond Theme (from Tomorrow Never Dies), a haunting cover of New Order’s “New Dawn Fades” (featured in 24 Hour Party People), and the stirring instrumental “God Moving Over the Face of the Waters” (from Heat), I Like To Score highlights Moby’s ability to craft music that resonates as powerfully on screen as it does on record.
Blending ambient textures, breakbeat energy and cinematic orchestration, the album captures a pivotal era in Moby’s career — a period where his sound was expanding beyond club culture into film, television and mainstream consciousness.
This Reissue is pressed on Pink Vinyl LP, offering a striking collector’s edition of a unique entry in Moby’s catalogue. Atmospheric, emotive and screen-ready, I Like To Score remains a standout fusion of electronic music and cinematic storytelling.
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Description
I Like To Score is a cinematic compilation from Moby, originally released in 1997, collecting tracks he recorded for film soundtracks and screen projects. A compelling showcase of his atmospheric production style, the album bridges electronic experimentation with dramatic, widescreen emotion.
Featuring his electrifying rework of the James Bond Theme (from Tomorrow Never Dies), a haunting cover of New Order’s “New Dawn Fades” (featured in 24 Hour Party People), and the stirring instrumental “God Moving Over the Face of the Waters” (from Heat), I Like To Score highlights Moby’s ability to craft music that resonates as powerfully on screen as it does on record.
Blending ambient textures, breakbeat energy and cinematic orchestration, the album captures a pivotal era in Moby’s career — a period where his sound was expanding beyond club culture into film, television and mainstream consciousness.
This Reissue is pressed on Pink Vinyl LP, offering a striking collector’s edition of a unique entry in Moby’s catalogue. Atmospheric, emotive and screen-ready, I Like To Score remains a standout fusion of electronic music and cinematic storytelling.
